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suspense

Cold Creek Manor: Trailer

When documentary filmmaker Cooper Tilson and his wife Leah decide life in New York City has become unbearable, they and their children Kristen and Jesse move into a decaying mansion filled with the possessions of the previous family. They befriend local tavern owners Ray and Ellen Pinski and their daughter Stephanie. As Cooper begins to sort through the many documents and family photographs scattered throughout the house, he decides to commit its history to film.Converting the old building into their dream house becomes a nightmare for the Tilsons when previous owner Dale Massie, an uncouth redneck recently released from prison, shows up and pressures Cooper into hiring him to help with the renovations. While he initially proves to be a good worker, the underlying sense of menace he projects is unsettling. A series of terrifying incidents, including Cooper being pursued by an unknown car, the sudden appearance of the poisonous snakes in the house and the killing of the horse given to them by the Pinskis lead the Tilsons to research the estate’s dark past. Hoping to glean some details about its history, Cooper visits Dale’s aging and slightly demented father in the nursing home where he is living. Disjointed comments made by the elderly man lead Cooper to believe Dale murdered his wife and children, and he begins to search his 1,200-acre (4.9 km2) property for their remains. Sheriff Annie Ferguson, sister of Dale’s battered, slatternly girlfriend Ruby, is skeptical about Dale’s guilt, but slowly comes to realize Cooper may be right.

Cooper’s suspicions are confirmed when he and Leah discover three skeletons in Devil’s Throat, a deep well, hidden in the woods. Using a walkie talkie, he contacts Sheriff Ferguson, unaware she has been attacked and disabled by Dale, who punctures the tires on Cooper’s truck and sets Leah’s car on fire to prevent them from escaping. Trapping them in the house in the middle of a storm that has knocked out the electricity, he forces them to rely on their wits and physical prowess to save themselves. Dale finally corners Cooper and Leah on the roof after chasing them through the mansion. Dale, now raving mad, openly declares his insanity as well as his intent to kill them and throw them down the Devil’s Throat like his family. However, the couple is able to turn the tables on their tormentor by charging him with a line of rope that knocks him off his feet. They quickly tie him down against a roof lantern before he can break free. Cooper then takes the killing tool and taunts Dale as he had done to him, before shattering the skylight, sending the screaming Dale to his death.

The film then cuts to show that the bodies of Dale’s family are now rightly entombed in the family graveyard at Cold Creek Manor and that Cooper and his family have finally attained their wanted peace.




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Arbitrage: Trailer

Trailer for Arbitrage.

Arbitrage, the feature-directing debut of writer Nicholas Jarecki, is a taut and alluring suspense thriller about love, loyalty, and high finance. When we first meet New York hedge-fund magnate Robert Miller (Richard Gere) on the eve of his 60th birthday, he appears the very portrait of success in American business and family life. But behind the gilded walls of his mansion, Miller is in over his head, desperately trying to complete the sale of his trading empire to a major bank before the depths of his fraud are revealed. Struggling to conceal his duplicity from loyal wife Ellen (Susan Sarandon) and brilliant daughter and heir-apparent Brooke (Brit Marling), Miller’s also balancing an affair with French art-dealer Julie Cote (Laetetia Casta). Just as he’s about to unload his troubled empire, an unexpected bloody error forces him to juggle family, business, and crime with the aid of Jimmy Grant (Nate Parker), a face from Miller’s past. One wrong turn ignites the suspicions of NYPD Detective Michael Bryer (Tim Roth), who will stop at nothing in his pursuits. Running on borrowed time, Miller is forced to confront the limits of even his own moral duplicity. Will he make it out before the bubble bursts?




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Dark Blood: Trailer

Dealing with nuclear testing and its long-lasting deadly effects, the story portrays Boy (River Phoenix), a young widower living in the desert on a nuclear testing site. Living as a hermit, he waits for the end of the world carving Katchina dolls that he believes have magical powers. While traveling on a “second” honeymoon across the Arizona desert, the car of a Hollywood jet-set couple (Jonathan Pryce and Judy Davis) breaks down. They are rescued by Boy, who holds them prisoners because he desires the woman and wants to create a better world with her.




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Born Bad (2011) – Review

3 Stars

Michael Welch (Twilight) stars in The Asylum’s Born Bad as Denny, who makes a great first impression with the parents, but after you get to know him, he just might murder you. Brooke Duncan just moved into town, and as with any young rebellious high school senior who hates her new stepmom she’s stepped out to party with an old friend even though she’s still (serious frowny face) “technically grounded”. There she meets Denny, a great guy who even wins over the hearts of her father and stepmother. If only she had seen the opening scene where Denny rapes and murders an innocent young girl, of course she hasn’t (and obviously skipped over that part in the script as well) and brings her crazy boyfriend into her home to terrorize her family. This is a cautionary tale of an incredibly impressionable teenage mind and the young man who was insane enough to impress his will on it.
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13 (2010) – Review

2 Stars

Gela Babluani’s remake of his first film, 13 Tzameti, for American audiences is a sometimes jarring and suspenseful thriller. Vince (Sam Riley) desperately needs cash to help out with his father’s illness. While working as an electrician he overhears the man of the house talking about making a lot of money after receiving an envelope in the mail. When the man overdoses Vince grabs the letter and assumes the dead man’s identity. He follows the instructions and finds himself caught up in a tournament of Russian roulette, where rich men bet on who will win and who will die. Now he knows too much and must play to the end. With every round more players are lost, can he survive and become the ultimate Russian roulette champion?
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Faces in the Crowd (2011) – Review

3 Stars

Milla Jovovich headlines this taut thriller about a woman that looses the ability to recognize faces. After Anna (Milla Jovovich) happens upon a brutal murder in progress, the killer turns his blade on her and she suffers severe head trauma during the struggle. The brain damage leaves her with “face blindness”. As she begins to put her life back together and learns how to manage her disability, the killer continues to taunt her. Unfortunately Anna is unable to identify him, even when he’s right in front of her. Her inability to recognize even her loved ones leaves her alone, until she teams up with the detective on the case, whose face she has the strange ability to remember. Together they set out to find serial killer Tearjerk Jack who wants more than anything to be seen.
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Scream 4 (2011) – Review

3 Stars

Scream 4 has the uncanny ability to deconstruct itself while simultaneously presenting the viewer with more of the same with updated references to Facebook stalking, the Saw franchise, Channing Tatum, and of course articulate teens debating the merits of horror movies. The self aware postmodern metanarrative format that writer Kevin Williamson is able to re-inject into the once popular franchise is the film’s greatest pleasure; there are no aliens, zombies or asian ghost girls. Stylistically this picture falls seamlessly in line with the previous films. Returning director Wes Craven has filled the screen with a similar color palette, set design and tone that he so successfully employed on those earlier blockbusters.
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Scream 3 (2000) – Review

2 Stars

A tired and overly confusing entry in the ‘Scream’ series. All the major cast returns in this second sequel that debuted three years after the original, yet feels stale. During production on a movie titled ‘Stab’ based on the book by news reporter and ‘Scream’ survivor Gale Weather (Cox), cast members are being picked off one by one. It takes awhile for the characters to catch on, but eventually it’s discovered that the order of murders is echoing past events. Hollywood and the horror genre itself are effectively satirized in Ehren Kruger’s mediocre script. Director Wes Craven often uses the same visual gags and tricks he resorted to in the earlier films and it comes off as nothing more than perfunctory here.
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