The first hour is the trial faced by both Branch and Robinson as they navigate the minor league system and slowly start to make the press and public aware of the plan to start Robinson at first base by the 1947 season. The second half is dedicated to Robinson’s exploits largely off the field, during his first season leading up to the World Series. Many richly detailed supporting characters, cast with perfection, enhance the atmosphere of struggle and eventual camaraderie endured by the entire Brooklyn Dodgers team that intal season. The narrative is bookend by the writings of Robinson’s chronicler, Wendell. A man assigned to cover the tribulations and attributes of the first black man in professional baseball.
The excellent script is full of fantastic scenes that resonate with humor, sadness and an overall feeling of righteousness. None of Brian Helgeland’s previous work, while solid, prepared me for the mature film that he has made. This is the type of movie and story that is uniquely American and embodies all the right elements of Hollywood studio filmmaking. Some might point out that this is yet again another example of a black athlete’s story being drafted by a white creative team. Outstanding films such as The Hurricane and Ali weathered similar negative criticism. In reality a good movie is an uplifting and often empowering experience regardless of the racial profile of the filmmaker. 42 is both in equal measures and easily one of the year’s best films.
Director: Brian Helgeland
Stars: Chadwick Boseman, Harrison Ford, Andre Holland